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Yayın The accessible icon project and new design strategies for social change(Maltepe Üniversitesi, 2014) Sousa, Guilherme; Dominguez, Maria Manuel Viana Ferreira; Bowman, JackThe Accessible lcon project star|ed in 2009 when Sarah Hendren and Dr. Brian Glenney from the Gordon College in Massachusetts, USA started a dialog about how images can shape our perception of reality, ln the center ot thıs discussion was the ln|ernational Symbol of Access, commonly known and the "wheelchair sign". The old icon represented a sort ot robotic and passive person, incapable of acting as an independent human being, and this is how it made socie|y look at these people. So, Sarah and Brian started to design a new icon, which was first used in a guerrilla art project but soon sparked a lot of curiosity and interest...Yayın The art workers coalition and criticism towards the museum(Maltepe Üniversitesi, 2014) Dominguez, Maria Manuel Viana Ferreira; Bowman, JackThe And Babies poster was created in 1970 within the Art Workers' Coalition which was composed by various artists, focusing on themes like racism, war and specially the museums responsibility before the society, demanding a major opening to the community and particular to the oppressed and excluded social groups. This poster is a colored photography that shows the My Lai massacre, where bodies are laid down and strangled by the lack oI breathable space given by the absence ot sky. These colors don't represent just a reaction to those black and while typical war photos that didn't let people understand the horror of combat...Yayın Dan friedman's radical modernism proposal(Maltepe Üniversitesi, 2014) Moura, Tiago; Dominguez, Maria Manuel Viana Ferreira; Bowman, JackDan Friedman studied in the United States where he felt a disappointment with the dominance of commercial culture, the reason that lead him to Basel where he studied under Wolfgang Weingart. Throughout his career, Friedman managed to integrate his personal philosophical views with the work he produced, and by doing so created a new approach to design. The need to depart from both the dogmatic roots of modernism, and avoid the jargon and anarchy of postmodernism, led him to create his so called radical modernism, This approach aligned with Friedman's doubts about the benefits of industrialism culminated in the integration of indigenous...Yayın Jan Van Toorn's "design and retlexivity" and panel presentation(Maltepe Üniversitesi, 2014) Araujo, Laura; Dominguez, Maria Manuel Viana Ferreira; Bowman, JackThis panel on Design Activism Lakes a starting point in Jan Van Toorn's l994 seminal essay Design And Retlexivity. ln this text, van Toorn makes a statement about the designer's stance against the commercial dogma of our age and how we can find new ways oI working outside and against a cultural system that doesn't create room tor alternative and critical interpretations ot reality. Reality is a keyword, as the designer must always align its work and thinking with the context of its time. This is a particularly important idea to understand the post-modern phenomena in graphic design. but also to understand how post-modernism gave way to a new dogma, which some designers started to refuse, just like the post-modernists refused the modernist dogma before.
