The concept of noise revisited: some reflections on music
Küçük Resim Yok
Tarih
2007
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Maltepe Üniversitesi
Erişim Hakkı
Attribution-NonCommercial-ShareAlike 3.0 United States
info:eu-repo/semantics/openAccess
info:eu-repo/semantics/openAccess
Özet
This article examines the distinction between noise and sound by following Jacques Attali’s critique which he matured in his classical work, Noise: The political economy of music. The main concern in revisiting the issue is the premise that the duality between noise and sound bears some significant implications for the difference between western and nonwestern musical forms as conceived by the Western modernity. The analysis extends to the other dualities, such as the one between melody and harmony, when it tackles the history of the emergence of theoretical interests in ‘other’ musics (namely ethnomusicology and comparative musicology). The article concludes with some speculative reflections on what these dualities and relations would mean for the social analysis of music with a brief reference to the methodology of the sociology of music.
Açıklama
Anahtar Kelimeler
Noise, Sound, Music, Sociology, Ethnomusicology, Modernity
Kaynak
Fen-Edebiyat Fakültesi Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
1
Sayı
1
Künye
Değirmenci, K. (2007). The concept of noise revisited: some reflections on music / Gürültü (noise) kavramını yeniden düşünmek: müzik üzerine düşünceler. Maltepe Üniversitesi, Fen-Edebiyat Fakültesi Dergisi. 1(1), s. 49-58.
