Unintentional displacements as an artistic device

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dc.contributor.authorMagdalena, Natalia
dc.contributor.authorParizi, Thiago
dc.contributor.editorBowman, Jack
dc.date.accessioned2024-07-12T21:23:10Z
dc.date.available2024-07-12T21:23:10Z
dc.date.issued2014en_US
dc.departmentMaltepe Üniversitesi, Rektörlüken_US
dc.description.abstractRanging from Joseph Kosuth's "One and three chairs,' Artur Zmijewski's "Singing Lesson"' Thamsanqa Jantie's 'fake' sign language interpretation at Madela's memorial, a woman called Fatima singing Janis Joplin on a hilltop, to a mistranslated bathroom sign, this paper sets out to connect these (at first glance) disparate events in order to understand how contemporary artists perceive artistic qualities in 'non-artistic' situations. This subsequently begs the questions: What is an artistic perspective? What are non artistic perspectives? ls there really a difference between the two?...en_US
dc.identifier.citationMagdalena, N. ve Parizi, T. (2014). Unintentional displacements as an artistic device. Bowman, J. (ed.). 2014 Istanbul International Fine Arts Student Congress: Youth & Art içinde (4-5 ss.). İstanbul: Maltepe Üniversitesi.en_US
dc.identifier.endpage5en_US
dc.identifier.isbn978-975-6760-62-8
dc.identifier.startpage4en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12415/5526
dc.language.isoenen_US
dc.publisherMaltepe Üniversitesien_US
dc.relation.ispartof2014 Istanbul International Fine Arts Student Congress: Youth & Arten_US
dc.relation.publicationcategoryUluslararası Konferans Öğesi - Başka Kurum Yazarıen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.snmzKY06695
dc.subjectArten_US
dc.subjectArtistsen_US
dc.subjectPost-structuralisten_US
dc.titleUnintentional displacements as an artistic deviceen_US
dc.typeConference Object
dspace.entity.typePublication

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